Features / Interviews

James
Perry
half of the 1147am acoustic crew, and wants Spongebob Squarepants to
play him in the movie of his life.
Bob
Jones
Worcester bluesman, drinks wine
by the bottle and ain't posh enough for M&S. he is Bob Jones.
Tony
Gibbon
Drummonds live music
promoter, DJ, had Tom Baker buy him a tea and can order sausages in
Swahili.
Neck
Tea Break promoter, metaller
and The Session Room worker.
Paul J Rose
Singer,
songwriter and the guy busking on the streets annoying the hell out
shop keepers with his bright and cheery tunes.
Toxic Pete
Some
say he is Worcester answer to John Peel, Thay say he has the ability
to spot a good track at a thousand paces, It is said that the man is
a complete mystery yet has the ability to be open and friendly to
all that he meets. We only know him as Toxic Pete.
Dave Draper
ex Volta, currently doing the rounds in GirlFriday and Expedestrian.
Engineer at FFG studios
Will Munn
(aka
Will D Beast)
Rhythm and Booze co-founder and the guy behind the awesome Rhythm
and Booze Website.
Pete Adams (aka Blue
Peter)
frontman of And What Will Be Left Of Them organiser of many a fine
Hellfire Club gigs and an all round nice guy.
This feature was formally known as
"P.O.I.N.T.S of WU
(People of Influence, Niceness and Talent
in the Service of Worcester)" but we thought it was
.... errr... well ... crap!!!

Local Pubs and Clubs!!
Get in touch and we'll not only include your events on the main
website but also give you your very own mini-site / web-space on
this site. (www.notjustsauce.co.uk/yourname)
For more info email
chris@notjustsauce.co.uk
or call chris on 01905 731615 / 07847
730145
Writers, reviewers and contributers wanted for this website.
Please get in touch! |
CD / DOWNLOADS
Reviews
The Haze
The Haze EP
Last Letter Read
Stop Me, It's Gone Too Far
Host
The Host EP
The Dastards
Debut Album Sampler
LIVE
Reviews
(for a full list of reviews, click here)
Live @ TJs (Worcester) December
2007 Chris Bennion
Live Acoustic
Live @ St Michaels (Stourport)
November 2007 Andy O'Hare
Da Vinci / Carol Lee Sampson
Live @ The Marrs Bar (Worcester)
November 2007 Andy O'Hare
Pencil Toes / Brandon Steep / Crow (ex-Larynx)
Live @ The Courtyard (hereford) November 2007 Andy O'Hare
Punk For Pudsey
Live @ The Marrs Bar (Worcester) November 2007 Andy O'Hare
Silver Tequila / Jimmy Nylon / The Irony
Live @ The Marrs bar (Worcester) November 2007 Andy O'Hare
Marrs Bonfire / Aura /
The Donns
Gun Tavern (Worcseter) November 2007
Andy O'Hare
Sam Issac / New Cassettes / Radio Luxembourg / Riff Raff / Riz MC
Marrs Bar (Worcster) Nov '07
Andy O'Hare
Joe Meek
Tribute Night w/ Dandelion Killers
(Newant)
November 2007 Andy O'Hare
Brandon Steep / Will Dance For Chocolate / Spencer McGarry / George
Clarke
Marrs Bar (Worcester) November
2007 Andy O'Hare
Show of Hands
Huntingdon Hall (Worcester) 2nd November
2007 Paul J Rose
Psyflyer /
Dudes of Neptune / Meteor Street
TJs, Worcester, 28th October 2007
Paul J Rose
Pencil Toes / Py 'n' Mash
Tap House (Kiddermnster) Andy
O'Hare
Unkle Monty / Dandellion
Killers
Tardebridge
(Redditch) Andy O'Hare
Little Hellfire Club's
Village Fete
The Marrs Bar (Worcester) Andy O'Hare
Knight, Othen & Smith / Paul J Rose
The Mug House (Claines, Worcester)
Balls Deep / Terry Trillion & The
Millionaires / Isolace
Live @ The Marrs Bar (Worcester) 3/8/07 NJS+
Host
Live @ The Marrs Bar
(Worcester) 30/7/07 NJS
Jimmy
Nylon / Last Letter Read
Live @ Bossa Nova (Worcester)
25/7/07 NJS/smaller>/fontfamily>
Lipstick Gypsies / Cobweb Dilemmas
/ The Rising/smaller>/fontfamily>
Live @ The Marrs Bar, Worcester
110/07/07/smaller>/fontfamily> Sarah B/Emma R
1147am 5th (or is it 4th) Birthday Bash
Live @ The Cellar Bar (Worcester)
NJS
Paul J Rose / R&B Jones
Live @ The Taphouse (K'minster) 20/05/07
NJS
Nizlopi
Live @ The Marr's Bar, Worcester. 19/5/07
Lauren Murrey (now Rogers)
The Donns
Live @ Bossa Nova, Worcester 9/5/07
Will Munn
King Pleasure & The
Biscuit Boys
Live @ Huntingdon Hall 30/03/07
NJS
Swan Sessions
Live
@ The Swan Theatre, Worcester. 10/03/07 NJS
  
CLICK A PIC FOR A LARGER IMAGE
Live @ TJs
(Worcester)
Sunday nights have been given a bit a bit of
kick in recent months with City Centre pub
TJs playing host to various gigs thanks to a
variety of local promoters. This week, its
the turn of Starsfall Promotions (www.myspace.com/starsfallpromotions
), who tonight served up a show full of
interesting performances, new wave in indie
and musical experimentation
First up
was JohnJo, Meteor Street violinist who
tonight showed he had more strings to his
bow (clever pun huh?!?). This guy has some
pretty neat ideas and with the help of a
little electronic gizmo (not the technical
term!) he played a riff on the guitar,
sampled it, looped it and added another
layer to it. By the end of the tracks you
had a find work incorporating Guitar, back
beat, bass, mandolin and violin.... oh, and
he sings too.
After a
short break a Worcester band with possibly
one of the best names around. Fat Boys Are
Harder To Kidnap (or FBAHTK) take to the
stage and kick out some fine tunes. Not alot
of movement going on but the tunes were more
than adequate to keep you from wondering
into cold city top find a warmer pub. The
musicianship cannot be faulted, with some
great tunes and tight rhythm section, this
band did a great job.
Last time I
saw Cobweb Dilemmas i thought they were
pretty good, if a little tedious and stuck
in the Joy Division vibe playing maybe one
too many covers. Tonight's they seem to have
a new energy and a new feel to their sound.
Still the same girl/boy dual vocals but they
seem to have fixed the problem of their
vocal out of tuniness (is that a word?) with
their performance a hundred times better.
Still a slight hint of the 80s in their
sound but now with a headier and more guitar
led feel to the music. With some nice
fretwork and a some interesting fills, this
band have got better in only a few
months..... I look forward to seeing them in
another couple of months so that they can
blow me away.
by Chris
Bennion
Punk For Pudsey
Live @ The Marrs Bar (Worcester)
It was the fourth time
that Punk For Pudsey's been held at the Marrs Bar -
credit for organising it to Alec whose son Phil
plays in Backwash - highlighting the impressive
lineup of mostly local outfits. Missed
opening act Skankbox as the extended event kicked
off at 5 o'clock - but they'd thoughtfully left some
CD's out. I will catch them again though with
Whipjack and The Donns at the Gun Tavern in a couple
of weeks time. Backlight from Evesham are a
high-energy outfit with an impressive and varied
sound - a bit of a cross between Plot Against Paris
and Brandon Steep.
A
total contrast to the psychedelic death metal
peddled by AZWAI (which stands for As Zeroes We Are
Infinite - I do like a mathematical theme!) Virtuoso
guitar work, thundering bass and kick-out-the-jams
drumming - headed by manic frontman Adam who likes
to wander into the audience, up to the bar, into the
corner and out into the corridor! Great fun from one
of the best acts I've seen this year.
More sheer enjoyment from ska-poppers The Donns -
who describe their sound as 'partycore'. For me
though it's just great breezy ska/clatterpop from a
bunch of guys who look and sound like they're
having fun - some risqué lyrics to add a bit of
spice thrown in as well - fantastic!
Good to bump again into Bill Ottaway from the local
branch of CAMRA - also Jacko from The Slapstix who's
forming a new outfit with members of Backwash and
Plot Against Paris called Fights and Fires ('cos
everybody likes to watch them' - can I say that?)
I'd
describe The Arteries from Swansea as a cross
between the Pogues and Motorhead - varied powerpop
with an overall feel of 'Love Song' by the Damned -
like the hands-off bass style!
Special guests for the night were Ashes From Pompeii
- on the same label as Backwash - but they're emo/metal/funksters
from Germany - how did that come about then?
Reminded me a bit of the Counterfeits in places but
with a wicked and incredibly loud ear-bleeding set -
ouch!
Sadly couldn't stay for the whole of metal/punksters
Backwash's set - it had been a marathon session and
I'm not getting any younger - alright the room was
starting to spin a bit by then - ok? Worth it though
as they raised £420 for Pudsey - same again next
year guys?
Review and Pics By
Andy O'Hare
Silver Tequila / Jimmy Nylon / The Irony
Live @ The Marrs bar (Worcester)
Down to the Marrs Bar in
Worcester for another sampler of the local scene and
to check out one of last year's favourites. Late
replacements for Cobweb Dilemmas were the duo
Jimmy
Nylon - after last week's Electric Proms I'm opening
up a bit to the occasional funky beat-box and
hip-hop acts - especially if it's knocked out with a
bit of GLC humour. Look - I'm not about to start
wearing cut-offs and a beanie but I did enjoy the
way Jimmy Nylon mixed it about on stage.
Got to admit that the only band I knew from Evesham
until tonight were the Stakk Attakkers
that were Wrathchild - recently reformed as
Psychowrath. Nothing of course like last week's live
session band The Irony who are a decent soft indie
pop outfit with an undertouch of prog for added
effect - the Pixies shirt was the giveaway. One
number - 'Stop - Look - Run' had a catchy early
Velvets riff (no not the ones from Malvern) - can we
hear it again Andrew?
Great
new backdrop for last year's Battle of the Bands
winners Silver Tequila - who I think are Worcester's
answer to Hereford's Tastyhead - it'd be great to
see them on the same bill sometime. They've
sharpened up a little bit with a more mature feel -
but still keep numbers such as 'Pop Music Is My
Enemy' and 'I Need You' as sure-fire pleasers -
catchy hummable stuff from a bunch of likeable lads.
Review and Pics By
Andy O'Hare
Pencil Toes / Brandon Steep / Crow (ex-Larynx)
Live @ The Courtyard (hereford)
A new promotion at The
Courtyard in Hereford - promising a great venue with
a great sound to justify the hefty £10 ticket price
- albeit for three of the big-hitters on the
Hereford scene. I guess though that a
fair number of the good-sized crowd got the
Herefordshire Student discount.
First
off were Pencil Toes - who have carved out their own
electro-rock niche and always come across as
genuinely enjoying being on stage. A mix of jangly
numbers like 'Moving Walls' and the more spaced-out
'Camden Market' - new single is 'We'll Fight Them On
The Beaches' - out on CD soon - I really can't
wait!!
Great MC-ing from Anomalies beat-boxer Crow
(formerly known as Larynx) -
'My name is Crow - Hello!'. Also bumped into
ex-Scrap-Book-Heroes Dave and Chas who is now part
of False Flag Operators - they're appearing with the
reformed Tastyhead at the Herdsman on 28th December.
I was looking forward to seeing Brandon Steep on
home turf after their cracking away win in Worcester
a couple of weeks ago. A new single out 'Please
Don't Turn Your Back' on top of the
feelgoods
'Louisiana', 'Hiding In The Undergrowth' and 'HMF' -
will somebody tell me what this stands for please?
Just a shame that the sound quality for the Steep's
set failed to live up to the billing and struggled
to do justice to their harmonies-rich numbers as the
mid-range evaporated away. Hmmmm.
As usual only caught the first few minutes of the
amazing Anomalies before the frantic dash for the
last train back to Worcester - can you not headline
a set for once guys? Andrew was there though - over
to you mate.
Review and Pics By
Andy O'Hare
Da Vinci /
Carol Lee Sampson
Live @ The Marrs
Bar (Worcester)
Another touch of
adventure the following night at the Marrs Bar in
Worcester - a premier for Battle of the Bands winner
Da Vinci's rock opera 'Razorblade World'. Classy
supporting set from Malvern's Carol Lee Sampson with
help from West Virginia's Tyler - caught a touch of
KT Tunstall to this silky set - which certainly blew
a few cobwebs away.Also spotted Expedestrian's
guitarist Dave who says they've nearly finished
their 'Unfinishable' album - out soon!
I
saw a great theatrical-rock show last year with
local Germano-industrial outfit The Brethren - so
great expectation then for Da Vinci's set - kicked
off in true rock opera style with the feel of the
opening bit of 'Quadrophenia' and a touch of 5.15 -
with an REM-ish mandolin. If you like prog rock then
you'd have been pleased with the Marillion-esque
numbers peppering the two hour long set - with an
interval halfway. Can't see the point though of
those idiots who spoilt the first half by airing
their bronchial egos over the Under Milk Wood-type
narrative between each number. Sure it was a little
bit amateur dramatic but this was billed as a
concept event and didn't deserve the simian guffaws
-
luckily
absent in the second half - the highlight of which
was the phenomenal Abigail on guest vocals for the
final couple of numbers. In hindsight I'd say this
was an excellent Frank Zappa-like show that would
probably be better aired at somewhere like the Swan
Theatre or the
Huntingdon
Hall. The lighting and back projection were pretty
groovy and the sound up to the Marrs Bar's usual
top-notch standard. What I didn't really take to
though was the underlying theme of 'Razorblade
World' which was basically about self-harming,
sectioning and sedation - not exactly feelgood
topics - but I would quite happily see this show
again - as I think would most of the good Friday
night crowd there. I'm pretty sure too that indie
reviewer Toxic Pete enjoyed the set as a whole - he
tapped me on the shoulder half-way through a later
number - 'this one's in 7/6 time!' - and until then
I'd only ever heard one other song in 7-time - 'JockoHomo'
by Devo of course!
Review and Pics By
Andy O'Hare
Live Acoustic
Live @ St Michaels (Stourport)
We've mentioned Stourport a few times in the last
couple of weeks but it seems that there's no regular
music venue in the town. Credit then to Eva McIntyre
for trying something by putting on a set of acoustic
acts at St Michael's church hall - in hindsight
though the words 'acoustic' and 'church' should have
set my alarm bells ringing oh-so-loud - also the
note on the website 'we won't be doing extreme
music'. The atmosphere was like a bible class - with
polite applause after the folksy numbers - each of
which made James Taylor sound like thrash metal -
followed by a deafening silence. As none of the acts
were remotely local I won't keep you by going
through them - my advice though is that if you live
in Stourport and you're looking for good live music
- go to Kidderminster!!
Review By Andy O'Hare
Marrs
Bonfire / Aura / The Donns
Gun Tavern (Worcseter)
Sam Isaac mixes a blend of Badly Drawn Boy with the
Magic Numbers to his Radiohead-feel set. Not really
up my street so I bunked off his orchestral set on
last week's extended Session and checked out a new
promotion at the Gun Tavern in Worcester.
Too late for the opening act The Donns (who
impressed me a couple of weeks ago)
(They were their wonderful, tight, energetic, full
on skanked up usual. You missed a great set....
chris - NJS) - I will try and catch you
again soon guys - but just in time for local outfit
Aura who are most definitely a cut above your usual
metal-men. An excellent selection of riffs, a great
frontman and some racy guitar harmonics work - plus
a couple of choice covers 'Somebody To Love' (yes
the Jefferson Airplane one) and the Small Faces 'Whatcha
Gonna Do About It' - the brand of quality!!
Best set I've ever heard from Bromyard boogie-boys
Mars Bonfire with some A1 paradiddles thrown in. If
you want hair, flares and hard-core rock'n'roll
they're the outfit for you - but don't (like the
geezer in
front of me) try and take a phone call halfway
through their set. What????
Review and pics by Andy
O'Hare

Sam Issac / New Cassettes / Radio Luxembourg / Riff
Raff / Riz MC
Marrs Bar
(Worcester)
Great to go
along to the Marrs Bar in Worcester for the local
leg of the BBC Introducing tour of the best five
sets called up to play this year's Glastonbury and
the BBC Electric Proms- including of course our own
Sam Isaac...
We
kicked off with the New Cassettes from Northampton -
beat-boppers with a couple of decent foot-tappers in
their armoury - liked their number 'Recover Retreat'
- must check what it's about - I noted a big
thumbs-up for this outfit from Chris of the Not Just
Sauce listings site Very much a retro feel to the
Aberystwythians (yeah I expect that's probably not
correct) that are Radio Luxembourg -
with their Bontempi organ and a quirky Coral/Syd
Barrett feel to the opening couple of numbers.
'We're going to lose you now' said frontman Meilyr -
probably spot on as the rest of the set was in
Welsh. I got my Mum to translate a couple of days
later and numbers such as 'Merch sydd yn fy Mhoced'
(Girl in My Pocket) and 'Diwrnod efo'r Anifeiliaid'
suddenly make sense. Nofio!!
Hiphoppers
Riff Raff played their first ever gig at Glastonbury
after only a couple of Radio One airplays. Great
numbers including 'Chaos Isn't What It Used To Be'
and 'I Want A Mutiny' were the highlights from the
agreeable East Anglians who feature a cello and
plenty of acoustic guitar work - try and think of
The Anomalies crossed with the Zutons and
Babyshambles.
Highlight for me on the night though was the
sensational rapper that is Riz-MC - this guy pulls
no punches with his numbers about 9/11, Belmarsh,
Al-Jazeera and the danger faced by Brazilians - yes
it's a
very political output - but put out in a way that
gets you smiling and thinking at the same time -
check him out at myspace/rizmc for yourself.
Sam
Issac has the ability seemingly get
everywhere. Pick up a music magazine and his name is
on the listings page somewhere. His belnd of Magic
Numbers/Billy Bragg is a delight and no wonder local
radio are waving the flags for him.
Review and pics by Andy
O'Hare

Joe Meek Tribute Night w/ Dandelion Killers
Newant
Now I said
last week I'd check out the Joe Meek Tribute night
in Newent - ok it's over the border but one of the
original 'Telstar' Tornadoes was from Stourport (now
that's a big one for the Music Map Andrew). The
problem was that a gig for the forty-plussers was
held at the local youth/community centre with the
Waffen SS guarding the doors against all-comers. I
kid you not but there was a photocopier in the
middle of the dance floor (see
photo!!!)!!!
A bit of confusion in
the place about who Joe Meek was - 'didn't he die of
liver failure?' The consummate Ross threesome
Dandelion Killers kicked off the tribute to the old
gunslinger himself with 'John Wayne' and another
faultless set of classics including 'Bad Saturday'
and 'Human Error'. And I think that's the only
explanation for the other two London-based acts on
the set - who ranged from the baffling to appalling
in equal measures. Sorry Joe - better luck next year
- you can stop spinning now.
review and pics
by Andy O'Hare

Brandon Steep / Will Dance For Chocolate / Spencer
McGarry / George Clarke
Marrs Bar
Worcester)

Another
scintillating Little Hellfire Club at the Marrs Bar
in Worcester with another of the Hereford
big-hitters making an appearance. First upthough
he's been described as the handsomest chanteur in
the county - I can't possibly comment on that - but
ex-Hoax Band frontman George Clarke has a pleasing
stage presence and a few decent melodic ditties to
boot. New single 'She's Moving' is out this week.
Spencer
McGarry from Cardiff are another one of And What
Will Be Left Of Them?'s contacts on the road. Very
much a Nine Below Zero/Doctor Feelgood feel to the
boogie bluesmen with some great speed guitar work
thrown in - in fact I haven't heard a guitar sound
this good for ages. Songs variously included
references to The Corrs and the Sunday supplements -
the closing number's riff though was straight from
The Door's 'Changeling' - freely admitted as such -
hey no problems guys!
Travelling
support from London and Birmingham (as well as
Hereford of course) for the crafted melodies that
Brandon Steep dish out in bucketloads. New single is
'I Am The Pawn' but the harmonic five-piece ticked
the boxes for me with 'The Woodland Regiment' EP
earlier in the year. 'Louisiana' and 'Hiding In The
Undergrowth' are standout tracks and
'Quintessential' isn't far behind either.

Change of tempo for Will
Dance For Chocolate's own blend of Girls Aloud and a
big fat hairy goth. Think of Belinda Carlisle with
lyrics by Jo Brand and we're getting there. 'Already
Fallen Apart', 'Mona Lisa' and 'What Is Wrong With
You' are rolled out by Emma and the Marrs Bar gang
with a degree of scary dispassion - and I liked your
Burns guitar as well Em!
review and pics by Andy O'Hare

Show of Hands
Huntingdon Hall
(Worcester) 2nd November 2007
As one of England’s most well respected Roots and
Folk acts I was greatly looking forward to hearing
this duo in the impeccable acoustics of Huntingdon
Hall. Singer/songwriter Steve Knightley and multi
instrumentalist Phil Beer both grew up in Exeter and
played on and off together for many years before
establishing themselves as a full time act in 1991.
Since then they have released nine studio albums and
built up a large fan-base to the extent that they
have sold out The Royal Albert Hall three times in
their career.
The show illustrated what a consummate and powerful
act they are, their easy going and warm banter
making me feel at ease immediately. The songs that
impressed me most were those that allowed Steve
Knightley’s compelling and intense lyrics to draw
the audience in. The most breathtaking example of
this was ‘The Preacher’, a song that told the story
of a lonely man of God brooding over a love rival.
You could almost feel the searing jealousy of the
preacher and the cold, desolate surroundings of the
narrative. The impact was heightened by Steve’s
percussive use of the Cuatro, a kind of small guitar
from Latin America with four strings that produces a
haunting drone due to its unusual re-entrant tuning.
Another wonderful song was ‘Poppy Day’ from Steve’s
recent solo album Cruel River, an interesting
juxtaposition of a jaunty tune with cutting lyrics
dealing with Opium farming in Afghanistan.
Show of Hands covered a lot of ground during their
two set show, from stomping rhythm and blues through
folk ballads such as Blackwaterside to flat out jigs
and reels in which Phil Beer’s fiery fiddle playing
came to the fore. On the whole I would have
preferred a few less diddly-dit-dee-dee type folk
tunes (they bore me after a few minutes even with
the best players) and more of the storytelling and
political songs that have made Show of Hands known
in the media as being a voice for the rural poor.
Both Phil and Steve switched from Guitar to Mandolin
to god knows what else with nonchalant ease
throughout the evening and shared vocal duties and
harmonies to great effect. The show finished with
Steve singing unamplified (no, I can’t remember the
name of the effin’ song) whilst Phil wandered
through the audience playing his fiddle – a lovely
intimate end to the evening. I was left scratching
my head wondering which of their many albums to buy.
Review by Paul J
Rose
www.myspace.com/pauljrose

Psyflyer / Dudes of Neptune / Meteor Street
TJs, Worcester,
28th October 2007
The news of a Halloween themed circus of local
psychedelic music was a good enough reason for me to
forgo my traditional Halloween activity of hardcore
trick-or-treating until next year. Leaving behind my
petrol fuelled pumpkins and poo filled charity
envelopes I headed down to a splendidly spooky TJs
in Angel Place for some alternative kicks.
The traditional TJs sound quality meant that I
couldn’t really hear any detail of the vocals. This
left me momentarily agitated but then I remembered I
wasn’t at an acoustic concert (my usual destination
now I’ve reached thirty) so I allowed myself to just
rock out to the eardrum pummelling groove and
scribble down some abstract impressions of the
evening.
The
first band on were Psyflyer who had an intense bass
led sound into which silky dressed
vocalist/guitarist Jayse hurled a wide variety of
guttural vocals and guitar madness; from ethereal
solos to quaking granite walls of distortion. Their
obvious fire was cooled by a few technical and
tuning problems but otherwise it was a suitably dark
and crushing start to the night.

Next up were the five piece Dudes of Neptune. They
treated the highly costumed crowd to a spaced out
set which contrasted nicely with Psyflyer’s rawer
sound. I was most impressed by lead guitarist Andy
Lee swapping from guitar to keyboard duties mid song
in a manner reminiscent of The Edge from U2 during
‘New Years Day’ (I get the feeling I’m going to get
punched for making that comparison). On the whole
the Dudes songs came across as carefully crafted and
packed with clever lyrical and musical flourishes.
Unfortunately their set had a rather disjointed feel
and for me they never really got cooking which was a
shame as the potential was there.
Worcester’s
Meteor Street topped the evening like a juicy
Psilocybin mushroom on an already generous portion
of space cake. Starting off with their popular
homage to the Spanish surrealist the gang launched
into ‘Dali’ with vigour; the bright and sveltely
attired drummer Ed Steelefox providing a one man
carnival of colour and energy that was a fine act in
itself. My first song
highlight
was the infectious ‘Malicious Metallics’ with its
cartoonesque keyboard refrain and fantastically
yelped chorus – it was just a joy to hear. My second
highlight was the reflective ‘Schiphol Paranoia’, a
song inspired by an eventful busking trip to
Amsterdam. The song really highlighted the band’s
melodic side and vocalist/guitarist Craigus Barry’s
song-writing skill and angular yet soulful voice.
The themes of restlessness and doubt that often
torture the creative mind were expressed beautifully
in this song (or maybe I’m reading too much into
it). Finishing with the powerful ‘Nebula’ Meteor
Street left the stage and the Halloween circus was
over, my only disappointment with Meteor Street’s
set being that the sound system failed to make the
wonderful fiddle playing of John-Joe Murray (a
critical part of the bands quirky sound) better
known to the audience.
Cheers to all the bands for entertaining me.

Review and Pics by Paul
J Rose
www.myspace.com/pauljrose
Pencil Toes / Py
'n' Mash
Tap House (Kiddermnster)
Well
it's been all Worcester bands for the past few weeks
so time to check out the Hereford scene again -
lucky for me that the big hitters decided to crossed
the border - so - when I heard Pencil Toes were
playing the Tap House in Kidderminster this was not
to be missed.
Support was from the intensely provocative Py'n'Mash
from Brum (though Josh on the decks is from
Stourport - wahey!) Can only describe this threesome
as a cross between Bob Marley and Goldie Lookin'
Chain - Paul and Ash (geddit?) tackle a range of the
more broadminded social issues - though it's fair to
say that most relate to what goes on Friday nights.
A
superb sound for Elle and the boys as Hereford's own
Pencil Toes entertained the packed Thursday night
Tap House regulars - think of a cross between
Siouxsie Sue and the Chemical Brothers and you're
nearly there. 'Camden Market' and a confident new
version of 'Moving Walls' hit the ground running -
expect them to shake up the festivals next year
bigtime.
Review
and Pics By Andy O'Hare
Unkle
Monty / Dandellion Killers
Tardebridge (Redditch)
A
couple of days later I popped up to check out
probably the best stage and sound system in
Worcestershire at the Tardebigge in Redditch. What
used to be Volume One are now Unkle Monty and it's
hard not to think of James Dean Bradfield when the
frontman pitches his curveball notes at you. There's
plenty of variety though and a searing bassline from
the Worcester boogie-boys - and if you're a Free or
LedZep throwback (like me for example) then you'll
be well pleased with the not-too-heavy heavy set.

Now it's been 3 months since I've seen Ross-on-Wye's
finest Dandelion Killers play but I don't think I've
ever seen a better set from the awesome indie
threesome. A couple of feelgood newbies - 'Fire When
Ready' and 'Golden Age' on top of the sparkling
regulars like 'John Wayne' and 'Human Error'. I'll
be checking them out again as they headline the
legendary Joe Meek tribute gig in Newent tonight -
and I'll tell you all about it next week!!
Review
and Pics By Andy O'Hare

Knight, Othen & Smith / Paul J Rose
The Mug House (Claines,
Worcester)
What better way is there
to spend a Sunday afternoon? Bright warm sunshine,
local beer garden, good beer, a bar-b-que and some
great live music.
A certain Mr Jamie
Knight organised this event to raise a bit of cash
for St Richards Hospice, and bought a few friends
along for the ride together with a large crowd who
were gathered outside this wonderful little pub in
Claines enjoying the sun.

First up was local
singer songwriter Paul J Rose peddling his blend of
acoustic folk and occasionally bluesy rock. He
performed a couple of the tracks fro his debut album
'A Nice Cup Of Tea" such as 'Dawn In Cripple gate
Park' 'Eye For a Bargain' and the wonderful 'Rubbish
Song' along with a couple of songs I have not heard
before including 'Snug At The Mug' a story about a
failed relationship that he once had while drinking
at this very pub. A short set from Paul, but one
that was very well received from the ensembled
masses.
Jamie Knight is a local
singer songwriter with, some say, the best voice in
Worcester, if not the UK. A terrific songwriter and
a great
performer, he is superbly accompanied by Ex Machine
Breaker Simon Othen on guitar and mandolin and Paul
Smith on double bass. Together they create a
wonderful sound that confirm their position as
Worcester’s finest musicians.

Kicking off their set
with the magnificent ‘Lonely Life’, the trio kept
the crowd entertained and enthralled with their fine
talent, a selection of self penned songs such as the
awesome ‘Girl In The Light’ and ‘Stay Right’ along
with a selection of their interpretations of classic
tracks such as Tracy Chapmans ‘Fast Car’, Bob Marley
‘Redemption Song’, Ray LaMontagne’s ‘Trouble’ and
‘Crazy’ by Gnarls Barkley. With the likes of Damien
Rice, David Gray and all the other singer
songwriters out there I am sure that there is room
for Knight, Othen and Smith in this world. This band
should be prepared to take their rightful place at
the top of the heap. It can’t be long now before the
musicianship, songwriting skill and presentation of
KOS, and the amazing voice of Jamie Knight are
noticed by the wider music industry. They deserve
the success. They have worked for it and it is
coming, I am sure.
This was a tremendous
gig and it was great to see so many people come out
and listen to some great local live music. It was
just a shame that the gig had to end a little early
due to the Evening Song service taking place at the
neighbouring Church. Oh well. It is Sunday and if
you have to play second fiddle to the Big Man then
so be it.
www.myspace.com/pauljrose
www.myspace.com/kos

Review by Chris Bennion
Balls Deep / Terry Trillion &
The Millionaires / Isolace
Live @ The Marrs Bar (Pierpoint Street, Worcester)
Tonight’s gig was a
bit of a mixed bag starting off with the awesome Isolace who
are a really good 6 piece band, with a lead singer that not
only knows now to sing but knows how to lead. This
Redditch/Birmingham band has a gothic / Scandavian
metal/rock influence and pull it off superbly. When we
entered the room I felt as though I was being transported
back to a HIM gig. Singer Ric definitely has the same stage
presence. With songs like Inhaste and Re-Define, I expect
great things of them. Unquestionably a band to watch out
for.
Terry
Trillion & The Millionaires are, for want of a better word,
a local rockabilly super group. With many, many bands worth
of experience between them perform as if their life depended
on putting on a enjoyable and fun show. The entire band
seems to enjoy what they're doing and it shows in their high
energy, party like antics on the stage.
Kicking off their set with their version of Primal Screams
Get Your Rocks Off with the entire crowd singing along to
the upbeat and tightly shambolic chorus this band had the
crowd in the palm of their hands from the word go. In Terry
Trillion they have a great singer and great focal point for
the band but the entire band put something into the mix, not
least Gary Millionaire, picking up and swirling his double
bass around the stage. This guy is the epitome of cool.
Shark Van Schtoop is lethargic in comparison. Scott
Millionaire is an amazing guitarist, effortlessly keeping
the sound going, inserting his licks wherever he can and
basically being the backbone of the band. Adding a bit of
flourish and bluesiness to the sound is Luke, harp player
extraordinaire. With Jim Millionaire on washboard and
occasional lead vocals and Jamie Millionaire pounding on
the drums they have the appearance and essence of a perfect
line up This six piece band are a wonderful band to watch
and equally as good to hear. Their set includes rockabilly
swing versions of Michael Jackson’s Black or White, The
Ruts' Babylon’s Burning as well as a couple of their own
tracks such as the awesome Beer O’clock Boogie. Each track
giving the audience another reason to jump around and dance
live a loon. Check out this bad now, you will not be
disappointed, honest.
Headline
band tonight were Balls Deep, a Worcester/Malvern based band
who, along with their false wigs (I assume they were false)
and crazy outfits, played tribute to all that 1970’s and
1980’s rock. Beginning heir set with Bon Jovi’s Runaway, the
hits kept coming. If it was a singalong 80s rock song, this
band probably played it. Highway To Hell (AC/DC), Alright
Now (Free), Here We Go Again (Whitesnake), Whiskey In The
Jar (Thin Lizzy) and You Give Love a Bad Name (Bon Jovi to
name but a few. The highlight of the set for me personally
was an amazing version of Guns n Roses Don’t Cry. These guys
are great musicians, great performers and terrific
entertainers. If you fancy a night out with a touch of
classic seventies and eighties sing-along rock, this is band
for you.
www.myspace.com/is0lace
www.myspace.com/terrytrillionandthemillionaires
www.myspace.com/ballsdeep1981

Review by
Sarah B and
Chris B
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Host
Live @ The Marrs Bar
(Pierpoint Street, Worcester)
Host are a four piece Worcester
band who have decided to follow the rock and roll dream and
have quit their day jobs in order to concentrate on the
music. And from tonight’s performance, and the reaction of
the assembled crowd, they may just have made the right
decision.
Four guys who are great at what they do. Vocalist and
acoustic guitarist Mash Harrison fronts the band with the
uncompromising, effortless swagger of a pro. his multi
octave vocal range doing justice to the self penned tunes
that he and the band produce. In guitarist Phil Lewis they
have a cool and laid back master of his art. With style and
exuberance, I am sure he could give Gary Moore a run for his
money. The Host sound is completed by drummer Dave Arthur
who holds the band together with perfect timing and works as
one with possibly the best bass player in the city. Dan
Lennard seems to have funk in his soul and soul in his funk.
The bands laid back but ultimately professional approach
sets the standard for other bands, grooving their was
through over an hours worth of quality tunes.
The entire EP was performed tonight. the likes of
Gravestones and the upbeat Wake Up ran shoulder to shoulder
with the bass fuelled Lately and the haunting Canterbury. A
cover of Chris Issacs Wicked Game left the crowd spellbound.
A great version that started of slow but built into a
amazing solid version.
A much appreciated encore saw band at their souled, funked
up best.
Jamiroquai had better watch his back and Maroon Five should
quit now. Host are here and have set their sights on the big
time.

Review by
Chris Bennion
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Jimmy Nylon / Last
Letter Read/smaller>/fontfamily>
Live @ Bossa Nova (New
Street, Worcester)/smaller>/fontfamily>
Two bands, a cool retro
style venue, great atmosphere and a night of local(ish) live
music, all for the price of a hundred 1 penny sweets. Can’t
be bad, but there has to be a catch. Well, no. H Promotions
have been putting on live music as this bar for a couple of
months and it seems they have the formula just right. Cheap
entry and local bands result in a relaxed attitude, good
music (usually) and a place to meet your mates and make new
friends (and in the case of a member of Jimmy Nylon, get
your hair tied in pigtails.)/smaller>/fontfamily>
First band tonight, all
the way from Sussex, Last Letter Read started proceedings
with a Blink 182 / inspired set. Lots of jumping around
while performing but the songs seems to lack any
originality. The lead singer was okay, but seemed to lack a
lot of stage presence. He was barely audible over the rest
of the band and barely visible due to his apparent
malnutritioned physic…. That said, they were quite a good
band to watch and if you are into bands like Sum41, McFly,
Fall Out Boy, Blink 182, early Greenday and a whole string
of other pop punk bands then they are definatly worth
checking out, just to see how they progress./smaller>/fontfamily>
/smaller>/fontfamily>Jimmy
Nylon are one of Worcester's newest and perhaps most exiting
bands. This alternative indie four piece have the talent,
they have the attitude and they have the realisation that
performing can be fun. With vocalist you can actually
understand (when he isn’t almost swallowing the microphone),
and a guitarist intent on making his guitar sing, squeal and
bleed, they rip up the, now busy, Bossa Nova bar. A real
crowd favourite, performed a couple of their own songs
including the awesome Advert and also interesting versions
of Oasis's Whatever and an amazingly version of Cascada's
Everytime We Touch. Brimming over with confidence, pumping
out some fine catchy tunes and with more than their fair
share of onstage banter and bickering, this is a band
definatly worth seeing again. Great name for a band, great
band for a top night out./smaller>/fontfamily>
www.myspace.com/jimmynylontheband
/smaller>/fontfamily>
Review By
Sarah B /
Emma R/smaller>/fontfamily>
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Lipstick Gypsies / Cobweb Dilemmas
/ The Rising/smaller>/fontfamily>
Live @ The Marrs Bar,
Worcester 110/07/07/smaller>/fontfamily>
We arrived just as
American/Norwegian duo Suburban Fix were finishing their
set of acoustic styled hip hop. Two guys one guitar and from
what I heard an act worth seeing more of. Sorry I missed
them/smaller>/fontfamily>
Cheltenham based The
Rising took to the stage, and instantly hit out with their
blend of hard edged indie, with more than a hint of Oasis in
their guitar riffs, yet the tunefulness of their songs broke
through and the bands performance was one of competence and
rock and roll fun. Stand out tracks Here We Go Again and set
closer Rest Of Your Life proved that the band know how to
rock and know how to play. And their version of The Who's
Seeker was pretty well done as well./smaller>/fontfamily>
Cobweb Dilemmas were up
next, with their dark, cavernous indie punk sound, not
dissimilar that of Joy Division. The three piece put on a
good show with the front couple of male/female bass/guitar
sharing the vocal duties with a varied amount of success.
Not the greatest singers in the world but it kinda worked as
the tunes seemed to fit their vocal style. Unfortunately,
the stand out tracks were a cover of Depeche Modes Enjoy The
Silence and the last song, a cover of Talking Heads Psycho
Killer, which is always worrying when covers outshine a band
own material. Over all, though, a good set by band that had
performed in a way that reminded me of The Kills mixed with
AWWBLOT. They are not your average three chord, blues riff,
guitar band. They are doing something slightly different
from the rest of the crowd and for this they should be
applauded....and applauded they were./smaller>/fontfamily>
/smaller>/fontfamily>
Hitting the stage like
possessed Arctic Monkeys, Lipstick Gypsies, the Redditch 4
piece kicked straight into their set with the vigour and
passion of a band intent on having a good time. Tight guitar
riffs, mean solos and a slight reggae tinge to a couple of
their tracks, this band seem to be enjoying their time,
almost as much as the remaining crowd were.It was not a
packed house but these guys didn't seem to care. The guitars
kept wailing, the drumming seemed possessed and the songs
kept coming, Sound Of The Street, Tune In Drop Out, they
never relented until the final song, On My Own. A band well
worth checking out, catch them now before they get too big./smaller>/fontfamily>
www.myspace.com/thelittlehellfireclub/smaller>/color>
/
www.myspace.com/lipstickgypsiesmusic/color> /
www.myspace.com/cobwebdilemmas/color>
/
www.myspace.com/therisingmusic/color> /smaller>/fontfamily>

1147am 5th
(or is it 4th) Birthday Bash
@ The Cellar Bar (Worcester)
1147am is a unique and genius
monthly night of live music held at The Cellar Bar in
Worcester. No headline acts, no big names, just what seems
like the entire Worcester music scene having one big party
and playing a few tunes for the assembled masses. There is
no running order. Its kinda like a relaxed open mic night
but with a lot less ego. Its about meeting and having a few
beers with fellow musicians, playing a few new songs,
pumping out some old ones or just jamming wth other
musicians of different genres.
Tonight we had a plethera of
singer/songwriters take to the stage and perform a couple of
nmbers each, half of the Zebady Rays did a couple of
numbers, Pete from AWWBLOT doing his tribute to 1147am, and
a couple of guys singing happy birthday to the club..not
quite Marilyn Monroe, but moving, non the less.... sort of.
These two guys then did an obscure version of Stand By Your
Man, with the entire audience joining in. We also got a
singer/songwriter performing a jazz version of Right Said
Freds' Deeply Dippy accompanied by a hardcore drummer
playing a minituture toy drumkit. Quite genius.
1147am is a wonderful idea, and
this is their 4th Birthday bash so they must be doing
something right.
Paul J Rose / R&B Jones
Live at the Taphouse (kidderminster)
You have probably seen him busking
in your part of town. He is a regular on the Streets of
Worcester and Droitwich as well as many other places I am sure.
Performing live in front of shoppers and passer bys has got
provide the perfect training for performing in front of pub
audience. Paul seems so as ease with his music and being on
stage that you can't help but feel relaxed watching him do his
stuff. Tonight, in front of a busy Tap House crowd, he provided
the perfect end to your weekend. Laid back self penned tunes,
rubbing shoulders with the more upbeat 'quirky' number, one
would think that he had known what a crappy weekend you had had,
and constructed a set list just to please you.
But first up (or rather, second up,
as we arrived 'fashionably' late and missed the first act), were
support act are R&B Jones, a blues duo with combined age nearing
somewhere 150, they dish up a great selection of old authentic
Delta blues with Bob on guitar and vocals, Rob on blues harp. I
don't know a lot about blues, but these guys sound great.
Paul J Rose (under the name Little
Boy Paul) joined the two bluesmen on stage for a couple of
numbers including The Everly Brothers Bye Bye love and a cool
blues number Working The Car Wash Blues. A great taster for what
was to come.
After a short break, he is back with
his own set. One man, one guitar and a handful of self penned
songs with subjects ranging from Grandparents shopping (Eye For
A Bargain) and alzheimers (Who Are You?) to his very own
protest song (Rubbish Song). Each track was introduced with a
slight remark here, a anecdote or a humorous story there. He is
a performer that loves writing and loves performing. Its not
about the fame or the money, its about the music. Many of the
songs performed tonight are from his album "A Nice Cup Of Tea"
which is well worth a listen. If you get a chance to check out
Paul J Rose live then you wont have wasted your time .. in fact
if you're just shopping in your local high street you may well
see him.

Nizlopi
Marr's Bar, Worcester.
Crowd participation triumphs once again.
Luke Concannon on guitar and vocals and John Parker on double bass
and human beatbox are an impressive duo to behold. Improvising, even
inviting one nervous looking fan on stage, this was a near perfect
gig from two very talented Leomington-Spa musicians.
Playing the first track slap bang in the middle of the audience got
things off to a good start.
Once on stage they mixed a couple of old songs from their debut
album, Half These Songs Are About You, with a few unknowns and
plenty of passion.
Concannon is a magnetic frontman; telling stories and obviously
enjoying himself. When he wasn't jumping and down, inciting the
crowd to do the same, he was looking out at the fans stood in front
of him, appearing genuinely pleased with what he saw.
Extraordinary and Glastonbury - both tracks from the new album -
were outstanding, as was the "Kanye West-inspired" number and a
beautiful mellow rendition of the chart-topping JCB Song.
Those who had never seen the duo live before watched in awe of
Parker's incredible beatboxing skill. Everyone else left impressed
and wanting more.

Review by
Lauren Murray
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The Donns
Live @ Bossa Nova, Worcester 9/5/07
So it's a drizzly
Wednesday night in Worcester, a friend phones me to say he's got a
choice of either stopping in and being used as a blank canvas for a
consmetics party or he can journey into the city centre in search of
live music, now I'm all for men in make-up but I wasn't convinced
that a bit of lippy and blushre would really improve his looks, so I
agreed to join the search for loud guitars and kick arse drums.
I was a little
sceptical that we'd find anything that could banish the bad weather
blues, sure we could have walked into a jam night or checked out
Worcester's women dancing up and down a greasy pole (don't ask!!!)
but we wanted a band who could provide a ray of sunshine, a band
that could get us grooving on our stools, a band that could get us
singing a long. And to my utter shock we found one.
The Donns are a
young five-piece ska-punk band who play with shit loads of energy,
loud buzzing guitars, battered drums and an added touch of sax
appeal that makes you want to get up on your feet and skank the
night away. The band littered their set with contagious covers of
the likes of Rancid (Roots Radicals), Bob Marley (Iron Lion Zion)
and Less Than Jake (Gainsville Rock City) add to that the brilliant
tongue in check, short and snappy original (I think!!!) Love Your
Mother, a song that is catchier than the common cold a whole lot
more fun and you have a damn fine band indeed.
The Donns are the
perfect party no matter what the weather, if you want a group to run
around and pogo like a loon to The Donns are the band for you.
Rhythm & Booze
Rating 9/10 For more info:
www.myspace.com/thedonnsworcester

review by
Will Munn @ Rhythm
& Booze
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King Pleasure and the
Biscuit Boys
Live @
Huntingdon Hall (Worcester)
I'll give you a little tip. It may not seem much but it is a good
tip. If you get to go to Huntingdon Hall for a show, be it live
music, comedy or whatever, don't sit on the front row unless you
enjoy an up close up and personal view of the performers genitalia
area. We did and we don't.
That said, this was a cool gig. This converted church was the
setting of King Pleasure and The Biscuit Boys' annual visit
Worcester. And what a show it was. Non stop jump jive, boogie woogie,
rhythm and blues and swing. One of the tightest bands around, every
single member is a master of his chosen instrument. King Pleasures
vocals may not be the strongest in the world, he may sound a little
nasal and muffled at times but he definitely has one of the more
distinctive voices and also one of the best tenor sax players
around.
King Pleasure left the stage on a couple of occasions so leave the
Biscuit Boys to do their stuff. And do their stuff they did. Bass
player Shark Van Schtoop presenting the crowd with his trademark
confused and bewildered stares and wondering around the stage and
the stalls (not easy with a double bas bigger than he was.) with the
comedy effect of Eric Morcambe (if Eric was a bass player in one of
the coolest swing bands around.). The sax player added to the fun by
doing almost an entire song wondering around the venue., climbing
over tables, chairs and peoples heads while staying almost note
perfect.
What a piano player wow, what fun he must be a his local church
hall, watching his fingers dance over the keyboard is a sight to be
seen.
Guitarist Bullmoose K Shirley looking a throwback from the fifties
when bad hairdo and great guitaring was all the rage. And drummer
boy Dangerous Dave Wilkes holding it all together with the
professionalism of someone twice his age. (I only know their names
cause their were name checked about a dozen times each through the
gig.
Playing most of their new album, King pleasure and the biscuit boys
provided a wonderful two and half hour set wrapped around a twenty
minute interval (with only 15minutes waiting in the bar queue and 5
minutes drink a can of Boddingtons.) which was just long enough to
appreciate what talented musicians the band are. Now, all I need is
some panadol for my aching neck..

Review by
The Ed
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The
Swan Sessions
Live @ The Swan Theatre (Worcester)
Okay. So Saturdays aren’t my most productive day. To be honest, I
rarely see the light of day before noon and am hardly ever seen
outside the flat before 3pm. So it comes as no surprise that when I
heard about the new Swan Sessions being held at the Swan Theatre I
thought the 2pm start was a bit early. But, despite my laziness I
did manage to drag my sorry ass down there, albeit 45 minutes late,
therefore missing the first act.
The swan sessions are a new monthly (hopefully more often) unplugged
series of shows held in the bar of the Worcester Swan Theatre. The
half flooded Pitchcroft racecourse provides a wonderful back drop to
a couple of hours live, unplugged, un amplified acoustic music.
As I said, I was a bit late so I missed the first act, but I joined
the party as Wake (from local band The Dastards) was performing his
stuff. This guy has a great, unique sounding voice that many bands
lack. Listen to GnR and you can tell that its Axl. Listen to Queen
and you can tell its Freddie. Listen to The Dastards and you can
tell that its Wake. His voice is very distinctive, which is good.
His set comprised almost entirely of original material written by
Wake finishing off with What I Came For, The Dastards new single
(download it here and help them get it in the top40.)
After a short break, local legend Jamie Knight set up with a couple
of mates. Knight, Othen and Smith as they are known are a local trio
who have been playing together for quite a while now, but I have
never seen them in such a stripped down, raw environment as this. No
amps, no microphone, just three guys, two guitars and one double
bass. Jamie has an amazing soulful voice and is happy singing fast
tempo tracks like Nina Simones Ain’t Got No / I Got Life as well
softer numbers such as Tracy Chapmans Fast Car.
A great setting, a couple of terrific acts (sorry I missed the
first guy) and a wonderfully relaxing afternoon. Next one is in
April… be there.

Review by
The Ed
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The Haze
The Haze EP
Haze are one of
those bands that you are never sure why they are still where they
are. With a sound similar to that of Muse, Radiohead et all, and the
passion and the power of their performances, both live and in the
studio, you would of thought that they would be huge by now. The
musicianship is superb, the songwriting extremely well crafted and a
five track EP that you have to admire simple because it is terrific.
Not a single duff song on the CD, no fillers, no half arsed effort
at production, totally spotless. The EP opener, Why Pretend, hits
you like a Muse fuelled attack on all that is wrong with the world.
Almost six minutes of greatness.
Slow Down Joe and
Restless & Wild carries on the sense pleasuring duties, with the
band doing their best to show that there is room in the world for
more than one Wembley filling hi energy guitar led progressive rock
band, Crucifix Gardens continues to showcase the bands excellent
musicianship. Excellent production and flawless performance. this
guy has an amazing voice and the guitar solo is one of the best I
have heard in a long time. It's All Good, finishes the EP off in
fine style. Laid back and twangy intro, with an almost Kelly Jones
vocal proves that they are indeed the master of their art. I am
continually impressed with their talent, with their ability to
surprise and their song writing skills, performance and production
skills. This EP puts this band in the top 20 bands to check out
before you die.
www.myspace.com/hazeband

Review by Chris
Bennion
Last Letter Read
Stop Me, It's Gone Too Far
With the sound and
passion of Sons Of Dork or Sum 41, the vocal delivery of McFly, and
chorus’s easier to pick up than a Busted album in the bargain bin at
Woolworths, this band are set to become popular. Probably just with
the kids, but their 6 track EP is nothing to be ashamed of. Six
tracks or pop punk rock, some of which would not sound out of place
on a Bowling For Soup album and you can definitely feel your foot
tapping away to.
Wave Out The
Singles starts the CD in fine style. Guitar led, good clean vocals,
shouty backing vocals and a well crafted tune.
Girlfriends Don't Make Best Friends and Week North Of Home are also
good solid tracks, perhaps a bit samey, a bit un-original, like we
have heard it before, but still good tunes.
Leabridge, is slightly heavier but still retains the LLR sound.
Catchy chorus and the same clear vocal delivery but I am sorry to
say to say that after the first couple of listens I was getting a
bit bored. That’s not to say that the band are boring, no. They are
clearly having fun and enjoying what they are doing, but to me it
sounds like it all be done before
A Day At Houston is more of the same. Tight and well preformed but
still a little bland for my taste.
The last track Call It Out starts off slightly differently, again,
great vocals and great musicianship but it soon falls back to the
tried and tested 4/4 time, backbeat led guitar based pop punk
formula. Some nice harmonies and yes, they are enjoyable to listen
to, but not too many times.
www.myspace.com/lastletterread

Review by Chris
Bennion
Host
The Host EP
Host are a
Worcester funk rock and soul band who have been doing the rounds for
a while and are now focussing more on their music than on their day
jobs. And from the sound of this CD they may have made the decision
Sun Go Down sees
the band kick in with a funk fuelled, vocally multi octave extremely
well crafted opener. It's hard to believe that these guys aren't
bigger than they are. The musicianship is in the high end of the
scale, the writing skills are to be admired and the production
seems to be first class.
The EP slows down
slightly with Canterbury, but loses none of the passion or
tunefulness of the band. Each member of Host seems to be a master of
his craft and is clearly dedicated to the sound. Mash's vocals do
seem a little strained at times but if you are doing multi octave
delivery in the space of a couple of bars there is gonna be a bit of
trouble. Over all though, an amazing track.
Deliverance takes a
while to get going but when it does you are glad that you stuck
around for the lyrics. A more laid back, yet jumpy track that just
has to be listened to, not just for the lyrics but for the
excellent music and performance.
Gravestones is
probably their best track on the album, or at least my favourite,
Some tremendous vocals, superb bass and drums and the guitar is
understated yet propionate . I can see Jay Kay sitting down and
taking a few notes from this band.
Wake Up and the
closer Making Time make this a damn fine CD, full of great tunes,
vocal aerobatics, funked up bass lines, catchy chorus's and great
presentation. A CD to keep in your collection and play when you're
feeling subdued, lazy or lethargic. It's gonna pick you up, spin you
around and get you funked.
http://www.hostlounge.co.uk
http://www.myspace.com/hostonline

Review by Chris
Bennion
The Dastards
Debut Album (sort of..)
The Dastards are a
Worcester band that I have heard alot about but never actually seen
live, except for the odd occasion where Wake (lead singer/main
bloke) has been doing a solo acoustic set. They have their debut
album coming out in October of which this CD is a kind of promo
version. And from the sounds of it, it’s going to be good. There are
14 tracks on here, all of which are originals and all worthy of
being stuck on the album.
The Dastards list
the band Dashboard Confessional as one of their influences and I can
defiantly see the resemblance. Acoustic led indie rock with catchy
choruses, distinct vocals and a warm feeling to the sound. Wake has
one of those voices that you just recognise straight away.
The opening track
Scaffolds of Muscle sets the scene for what we are to expect in the
next 14 tracks. Powerfully clean vocals, tight upbeat feel, and a
well crafted guitar led rock track.
It gets more
atmospheric with Life On The Edge with Wakes almost whispered vocals
and almost eighties feel, building into a dance influenced number.
The last single
What I Came For is next and shows that not only the band great
musicians but Wake is also a great songwriter.
A change of pace
with piano intro'd and seemingly duelled vocaled I know followed by
the awesome next single Flashlights with it's almost country tinged
guitar intro, Pet Shop Boys ish keyboard loop and a overall sound
that has elements of a indie rocked Stan Ridgeway. Quite a
remarkable track and a great choice for a single.
One More Night and
Not Too Early slow things down a bit along with the Bob Dylanish
Change Coming On, an amazing acoustic track with some great lyrics
and terrific guitar work. A truly awesome song.
More original
Dastard tunes follow with Shoot From The Hip. Spitting Roses, This
Time proving that this band can seem to do no wrong. Unknown
Metaphor is a tremendous upbeat fun sounding sound that has your
feet tapping away with the brass built bridge section. Quite
original and very listenable.
The CD appears to
get heavier with track 13, Blood. A more rocked out track than we
are used to by the band, but with the distinct vocals of Wake, a
Dastards track non the less.
The final track,
Trouble is an acoustic guitar based song not dissimilar to
psychedelic Beatles stuff. A softer number that builds up slowely to
include the entire band. Rather uncomfortable drumming in places and
great little chorus make this quite a unique and enoyable, if not
understated, closing track to a damn fine CD.
www.myspace.com/thedastards

Review by Chris Bennion
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